Bill Robinson
There never has been such a waste of talent as on the debut of California death metal act Decrepit Birth. Recorded as a trio at the band’s home studio in Santa Cruz and including studio drumming by the noted Tim Yeung (who cut his teeth with studio work for
black metal
The fourth Immortal album is the last of their “holocaust metal” trilogy, and primarily an album about changes. After this album Demonaz would depart from live activity with the band, having been diagnosed with acute tendinitis in his arm, instead moving forward as their manager while remaining active as their
mainstream
Terese Taylor is a singer/songwriter based out of her adopted home of San Francisco. Since 1999 she has been building a following in North America, and she has released three albums (in 1999, 2003, and 2006) prior to arriving at “At Your Mercy Circuit”. All of her hard work
Archenterum
The latest Caelestis release, a single in collaboration with French underground death metal combo Archenterum, is a curious experiment in sound that works just as much as it feels contrived. It is a bold continuation of the alternative/gothic rock sound hinted at on the previous “Heliocardio” EP, and it
electronica
Kawehi is different from the soulless drab that clogs the airwaves, and the focus-group tested artists that make up the popular music charts. Instead she’s an indie artist that has been diligently working to get where she is today. A bright and shining beacon of talent in a
Belgium
For their fifth album the Belgian “blackened horde” of Enthroned knew that all bets were off. After the debacle that was “Armoured Bestial Hell” the band needed to come back with a bang – and a number of facts played in their advantage. They had signed a new recording contract with
Brazil
In 1991-1994 Sepultura was at the height of their power and popularity. It is therefore not very surprising that their then-label Roadrunner Records sought to capitalize on their success after years of heavy touring and recording. In the wake of DVDs in the early 2000s the label re-
death metal
Whereas “Conquering the Throne” was a serviceable debut of a couple of noted underground musicians, it was “King Of All Kings” that truly elevated Hate Eternal to the upper echelons of the death metal genre, domestic and abroad. The constellation of Erik Rutan (vocals, lead/rhythm guitar), Jared Anderson (bass
Brazil
After having released one of the more promising debuts of recents years Brazilian death metal combo Rebaelliun capitalized on the newfound interest. Arriving merely a year after its debut the “Bringer Of War” EP was a prelude to its second album, and a tribute to one of its most audible
Aad Kloosterwaard
By the time “Creative Killings” arrived in 2001 Sinister was well underway imploding, creatively as well as in terms of membership. Previous vocalist Eric de Windt only lasted that one album, and in his stead Aad Kloosterwaard had installed his girlfriend Rachel Heyzer (who sung for Belgian early death metal
Alf Børjesson
Everybody’s favorite circus metal act returns for another round of the most overblown, symphonic metal this side of latter-day Nightwish. Like that Finnish band they also rely on superficial trivialities to hide the fact that they play pop music. At least Nightwish had Tarja Turunen to front the
Caelestis
“Heliocardio” is the most conceptually complete Caelestis release to date in terms of imagery and lyrics, but it is also the most confused sounding of the band’s current catalogue. It is a stylistic departure from the preceding two releases, and the band’s first foray into more standard alternative/