Ancient Rites
On “Laguz” enduring Belgian underground pillar Ancient Rites makes its long awaited return after a near decade of uncertainty, lineup instability and general malaise. The much-anticipated follow-up to 2006’s “Rubicon” is the first for its new label home Massacre Records, and sees the band trimmed down to a quartet.
Ancient Rites
The fourth Ancient Rites album sees the band fully cultivating the epic power metal sound they first debuted on “Fatherland”. Being the second record of the band’s international phase, it fully embraces the influence of its guitarist duo – and builds upon the atmospheric keyboard embellishments and medieval interludes that
Ancient Rites
After two more underground sounding albums Belgian black metal combo Ancient Rites underwent somewhat of a stylistic transformation as its line-up became trans-European. “Fatherland” is a transitional chapter for the band as the record sees the induction of international guitarist duo Erik Sprooten (previously of Dutch speed/thrash metal band
Ancient Rites
On its second album Ancient Rites embraced a wider palette sonically. Whereas “The Diabolic Serenades” was a somewhat corny tribute to all of bands that influenced them, this record finally sees them unlocking their real potential. Boosted by an earthy and crunchy production “Blasfemia Eternal” sees the band progressing in
Afterdark Records
As one of the earliest black metal bands in Belgium (forming in 1988) Ancient Rites is also the most interesting of the country. In constant evolution the band has shed members and sounds over the years to arrive a concoction of popular styles without abandoning artistic integrity or musical merit.