Belgium
For their fifth album the Belgian “blackened horde” of Enthroned knew that all bets were off. After the debacle that was “Armoured Bestial Hell” the band needed to come back with a bang – and a number of facts played in their advantage. They had signed a new recording contract with
Belgium
The fourth album for Belgian black metal horde Enthroned is one marked by internal instability, and external problems that keep it from reaching its intended goal. Beset by problems from every side “Armoured Bestial Hell” is what should have been a glorious continuation of the band’s generic but efficient
Belgium
“The Apocalypse Manifesto”, the third Enthroned album and their one but last for British label imprint Blackend Records, who were more famous for their compilations than for the artists they contracted. It is the long anticipated recording where the band finally comes into its own, and at long last mastered
Belgium
By the time their second album rolled out of the studio much had changed for the Belgians of Enthroned. After the ousting of Vincent Gerard (Tsebaoth) two new, more technically proficient guitarists were enlisted in Régis Lant (Nornagest) and Dimitri Gillard (Nebiros). Originally, drummer Dan Vandenplas (Cernunnos) was supposed to
Belgium
Enthroned was never a real black metal band in the traditional sense. Yes, they all wear corpse paint, spikes and the typical leather outfits – but superficialities aside, the band was only black metal as far as imagery and lyrical content was concerned. Musically, they tap various genre wells outside of